1.

Saturday, March 22, 2014

ORIGINAL OLD POSTCARD: MYANMAR - BURMA - COSTUMES-TRIBES - KWI GIRLS - 20S PC.
CONDITION: GOOD, WITH SOME STAINS AND DAMAGE IN ALL CORNERS.
PUBLISHER: AMERICAN BAPTIST MISSION PRESS - BURMA.
POSTAL USE: NOT USED.
SIZE: APROX: 8.8cm x 13.6cm 
http://www.postcrossing.com/postcards/IN-29170http://www.postcrossing.com/postcards/IN-29170
Bombay (Mumbai) 100 years ago, India!
 
 
 
 
 
 
 
 
 
 
Source   

India 100 years back Pics |


Delhi, the capital of Republic of India.

Delhi, the capital of Republic of India. It is said that Delhi has completed its hundred years on 12th December 2011.
Source     http://vikramjits.wordpress.com/2011/12/12/is-delhi-really-100-year-old/http://vikramjits.wordpress.com/2011/12/12/is-delhi-really-100-year-old/

Limited Edition Glimpses of Bombay 100 Years Ago

Limited Edition Glimpses of Bombay 100 Years Ago


Limited Edition Glimpses of Bombay 100 Years Ago

Round Temple, Sandhurst Road
High fashion mall Palladium in south Mumbai has collaborated with World Luxury Council (India) and put on a vintage art exhibit called 'Bombay 100 Years Ago'. The first-of-its-kind Collectors' Edition of 100-year-old is an unpublished archive of prints of the city on canvas. These prints have been sourced from a private collector.

The concept of this collection is to elicit the bygone era of today's maximum city and present it to an audience who can only envision Bombay as it was 100 years ago, through the eyes of their forefathers.

Limited Edition Glimpses of Bombay 100 Years Ago

Bombay Club
The prints have been revived with special ink and have a life span for the next 100 years. The World Luxury Council (India) will release 50 prints; and only 10 prints per picture can be produced 'on request', making this exhibit a limited-edition aficionado's pleasure. The council will donate part proceeds of the sale to Light of Life Trust.

The prints will be on view in the Atrium at the Palladium, Mumbai from August 15 to August 19, from 11:00 am to 9:00 pm.

The prints will be available on Bombay 100 Years Ago
Source    http://luxpresso.com/news-lifestyle/limited-edition-glimpses-of-bombay-100-years-ago/14904http://luxpresso.com/news-lifestyle/limited-edition-glimpses-of-bombay-100-years-ago/14904

Friday, March 21, 2014

China::The Nanjing Massacre: Scenes from a Hideous Slaughter 75 Years Ago

The Nanjing Massacre: Scenes from a Hideous Slaughter 75 Years Ago

75 years ago, on Dec. 13, 1937, Japanese troops captured the city of Nanjing, then the capital of the Chinese republic led by Chiang Kai-shek and went on a six-week campaign of carnage and slaughter that would be forever remembered as the “Rape of Nanjing.” Reports document widespread rape and the indiscriminate killing of civilians; some death tolls estimate over a quarter of a million people were killed. The incident, though, still rankles Sino-Japanese relations. Japanese nationalists contend that the death tolls are inflated and the majority killed were resisting Japanese occupation. To this day, pages in Japanese school history textbooks can incite heated protests on the streets in China. Then and now, the Nanjing massacre remains one of the darkest events of the last century.—Ishaan Tharoor
Source   http://world.time.com/2012/12/13/the-nanjing-massacre-scenes-from-a-hideous-slaughter-75-years-ago/photo/portrait-of-chinese-wife-with-body-of-slain-husband/                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           

Before Drone Cameras: Kite Cameras!

Before Drone Cameras: Kite Cameras!

Ruins of San Francisco, 500 feet above Hyde and Green streets.
Ruins of San Francisco, 500 feet above Hyde and Green streets.
George R. Lawrence/Library of Congress
These days, getting an aerial shot is as simple (although maybe illegal) as strapping a camera to a drone. Back in the day, though, it wasn't so easy.
George R. Lawrence, a commercial photographer at the turn of the last century, was known to tinker. (His Chicago studio advertised "The hitherto impossible in photography is our specialty.") He was often hired to photograph conventions and banquet halls with a specialized panoramic camera he had built himself. In 1901, he had a loftier idea: to lift his panoramic camera off the ground. And not just a few feet — but hundreds.
International ballooning contest, Aero Park, Chicago, July 4, 1908.
International ballooning contest, Aero Park, Chicago, July 4, 1908.
George R. Lawrence/Library of Congress
View of New York City from the Times Building.
View of New York City from the Times Building.
George R. Lawrence/Library of Congress
Northwestern University
Northwestern University
George R. Lawrence/Library of Congress
University of Chicago
University of Chicago
George R. Lawrence/Library of Congress
Early aerial photography techniques relied on the flying resources available at the time, which, in 1900, were limited to air balloons, kites and, in some cases, pigeons.
So Lawrence tried an air balloon. But on his first assignment with it, the balloon snapped free from the platform carrying him. He fell more than 200 feet to the ground, unhurt but shaken.
View of Chicago from Majestic Building.
View of Chicago from Majestic Building.
George R. Lawrence/Library of Congress
A view of the kites in flight.
A view of the kites in flight.
National Archives and Record Administration
Then he resorted to kites. Lots of them. Lawrence needed between nine and 17 kites to lift his massive camera up to 2,000 feet in the air. He added bamboo stabilizing arms and ran a steel piano wire from the ground up to carry the electrical current that would trip the camera shutter. Once a photo was taken, a parachute was released. He called his invention a "Captive Airship."
Soon after, he began photographing aerial surveys, sports events and news events. And in 1906, he took perhaps his most famous photograph — a view of San Francisco after a devastating earthquake leveled the city. The photograph earned him around $15,000 in sales, and attracted the interest of the military.
Ruins of San Francisco, 2,000 feet above San Francisco Bay overlooking the waterfront in 1906.
Ruins of San Francisco, 2,000 feet above San Francisco Bay overlooking the waterfront in 1906.
George R. Lawrence/Library of Congress
Akron Works, Akron, Ohio
Akron Works, Akron, Ohio
George R. Lawrence/Library of Congress
Berkeley, Calif., looking east, from 1,000 feet elevation, 1908.
Berkeley, Calif., looking east, from 1,000 feet elevation, 1908.
George R. Lawrence/Library of Congress
Lawrence with the 49-pound "Captive Airship."
Lawrence with the 49-pound "Captive Airship."
Courtesy of the Lawrence Family
At 49 pounds, the camera Lawrence built was a behemoth. But its size allowed him to expose large negatives, some as big as 20-by-48 inches wide, in remarkable detail. Even today, Lawrence's photographs seem unique in their perspective and approach.
"Nobody really expects to see that level of detail from that time period," says Phil Michel, who has worked extensively with Lawrence's photographs at the Library of Congress. "Nobody else was able to do what he did at the time."
Despite his success, Lawrence didn't stick with photography for long — by 1910 he had moved onto aviation design. But his photographs remain some of the earliest examples of unmanned aerial photography, a field attracting a lot more attention these days.
You can see more of Lawrence's photographs .
January 5, 2014 February 8, 2014

Beautiful rare photos show Tibet 100 years ago


Beautiful rare photos show Tibet 100 years ago




London's Bonhams Fine Art Auctioneers is currently auctioning rare photographs taken over 100 years ago in Tibet. The pictures were photographed by British officer John Claude White during a military mission to Tibet in 1903-1904. From NPR:
Contemporary Tibet conjures a mysterious mental image. Situated at the highest elevation on Earth, it is historically hotly contested territory with a large nomadic and religious population. So imagine how much more mysterious it was 100 years ago — when travel was difficult and few foreigners were granted entry.
Now part of Tibet's unseen history is coming into light, with an auction in London on Tuesday of photographs taken more than a century ago, during the 1903 British mission to Tibet. The photographs, taken by British political officer John Claude White, are the first known images to have left the country.
To learn more about the photographs you can listen to today's Morning Edition program on NPR during which David Park, director of books, maps and manuscripts at Bonhams, discusses White's photographs with host Renee Montagne.
Images: npr.org
shannon's picture
Maybe those are hats made out of yak hide. I have a hat that makes me look something like that. My sister bought it in asia. Mine is white, though, so you can tel it's fleece rather than human hair.

Tibet one hundred years ago

Rare Photos Reveal Tibet 100 Years Ago

3 min 59 sec



Contemporary Tibet conjures a mysterious mental image. Situated at the highest elevation on Earth, it is historically hotly contested territory with a large nomadic and religious population. So imagine how much more mysterious it was 100 years ago — when travel was difficult and few foreigners were granted entry.
Now part of Tibet's unseen history is coming into light, with on Tuesday of photographs taken more than a century ago, during the 1903 British mission to Tibet. The photographs, taken by British political officer John Claude White, are the first known images to have left the country.
  • An album of extremely rare photographs taken in Tibet circa 1903 is being auctioned by Bonhams in London. These are the first known photographs to ever come out of the country.
    Courtesy of Bonhams
  • The photographs were taken by John Claude White, an officer during a British campaign in Tibet. It was the first time the British had been given access to the country.
    Courtesy of Bonhams
  • According to the auction news release, "Officially the mission's purpose was to settle a border dispute between Sikkim and Tibet, but it turned into a full-scale invasion with the aim of establishing a strong British presence." Britain's goal was to prevent Russia from gaining power.
    Courtesy of Bonhams
  • The British essentially forced their way into what had historically been a very closed country. And during the expedition, led by Major Francis Younghusband, nearly 700 Tibetan monks were killed at the village of Guru.
    Courtesy of Bonhams
  • David Park, Bonhams director of books, maps and manuscripts says in the news release, "These are amazing early images of a country which was long closed to the West."
    Courtesy of Bonhams
  • The album has been passed down through generations of the photographer's family.
    Courtesy of Bonhams
  • Much remains to be discovered about this highly secretive culture, but these images provide an incredibly unique insight into what life was like in Tibet at the turn of the century.
    Courtesy of Bonhams
1 of 7
David Park, director of books, maps and manuscripts at Bonhams, discussed the mysterious photographs with Morning Edition host Renee Montagne — like this one of a group of Tibetan nuns:
Tibet, circa 1903
A portrait of Tibetan women circa 1903 is one of many in the album being auctioned.
Courtesy of Bonhams
"Their heads were shaved, apparently, and they wore these astonishing wigs on top," Park said. "They seem to be quite happy even though they're being photographed by an invading force."

Ireland one hundred years ago

This is a scene from Mattersons tinned meat department in Limerick. At the time, tins would have been stamped as Produce and Manufacture of the United Kingdom and were exported from Ireland as Foreign and Colonial Merchandise.
 This canned condensed milk factory run by Quebec natives, the Cleeve brothers, was also a big employer in Limerick
The textile industry required thousands upon thousands of hands to create clothes, household items and anything else that could be woven, stitched, sewn, pressed, moulded. It spanned the initial processing of the textiles at central depots, as in this roughing of flax at Ballynahinch in Galw
Tie-making at Atkinson’s Poplin Factory on the quays in Dublin:
… to the detail of creating fine brushes as at Varian’s factory in Dublin:

Pictorial record shows the Irish hard at work 100 years ago

Working Lives exhibition at the NLI exposes the conditions in which men, women and children toiled to survive.

THE IRELAND OF just over 100 years ago was a time of profound change.
The technological advances of modern Ireland may seem hectic and beyond the wildest dreams of a turn-of-the-20th-century citizen. In fact, the two decades in the run-up to the 1913 Lockout were filled with industrial revolution, new industries and more and more demanding tasks for the average worker.
The National Library of Ireland is running a striking chronicle of our social history, Working Lives, at the National Photographic Archive. Curated by social scientist and historian Mary Jones, it was opened this week by Junior Heritage Minister Dinny McGinley and runs at the Temple Bar venue until 31 March.
‘Big House’ servants, agricultural workers at harvest, linen mill labourers, pork curers, biscuit makers, shipbuilders – an endless line of toiling labourers have their work chronicled in vivid photography at this exhibition.
The following photographs – reproduced here with kind permissions from NLI – give a taste of the breadth of the 148 images on show.
There was a clear move from the precarious nature of agricultural work in a country where most farm labourers were landless (In the 19th century, says curator Mary Jones, 38 per cent of landowners were Irish-born and held just 15 per cent of the land. The remaining 62 per cent of landowners were not Irish, and had either bought their land through enforced confiscation from the original owners or gotten it as a gift “in recognition of service to the British Crown”.)
Life on the land for all others was harsh – as for this young boy taking part in turf-cutting in this desolate scene:
image
Towards the end of the 19th century, more than half of agricultural land was under grass to provide feeding for livestock and there was substantial tillage. Food manufacturing became an important part of the export economy as well as domestically, and provided employment not just in rural areas but in plants where these foodstuffs were produced – breweries, meat factories, bakeries and so on.
This is a scene from Mattersons tinned meat department in Limerick. At the time, tins would have been stamped as Produce and Manufacture of the United Kingdom and were exported from Ireland as Foreign and Colonial Merchandise.
image
This canned condensed milk factory run by Quebec natives, the Cleeve brothers, was also a big employer in Limerick:
image
The textile industry required thousands upon thousands of hands to create clothes, household items and anything else that could be woven, stitched, sewn, pressed, moulded. It spanned the initial processing of the textiles at central depots, as in this roughing of flax at Ballynahinch in Galway…
image
… to the detail of creating fine brushes as at Varian’s factory in Dublin:
image
Tie-making at Atkinson’s Poplin Factory on the quays in Dublin:
image
Making a straw hat at the Wexford Hat Company:
image
Winstanley’s bootmakers was just one of many brands that became highly recognisable for their craftwork:
image
While large-scale and heavy industry also required intense labour, both skilled and unskilled. This was the building of the Oceanic in Belfast:
image
And men hard at work in a saw mill in Navan:
image
Children, unfortunately, were not absent from the workforce – note the young boys on the left of this image from the Smyth & Co trimming shop in Dublin…
image
And on a more organised level, children were co-opted into production in industrial schools around the country. The exhibition features a number of such scenes, including this one of sail-making at an industrial school in Baltimore in Cork:
image
The exhibition features many more sectors of employment but also charts the rise of the trade union movement, culminating in clamouring for better conditions for workers and ultimately industrial action right up to the Lockout 100 years ago.
A prophetic – and less well-known strike – happened in Waterford two years earlier. Mary Jones explains:
Much trade union organisation remained centred in the cities of Dublin and of Belfast, but grew also in Waterford, Limerick and Cork, where industries and trade councils had already been established. At Pierce’s in Wexford, iron manufacture and casting dated from the early 1800s. By the 1800s, they had won gold medals in Dublin, Cork and Paris, with machinery exported to the British colonies and to Argentina.
Men employed at Pierce’s complained of low wages, lacked job security and worked long hours. They had no representation in trade negotiations as employers distributed profits amongst family and friends before fixing the terms of payment amongst the 400-strong workforce. In 1890 a two-day strike, with the Pierce workforce joined by workers from two other Wexford foundries, led to the formation of the Wexford Fitters and Turners Society.
By 1911, labour unrest across the Union and across Europe spread to workforces. Workers from Pierce’s and two other foundries applied to join the ITGWU. Four hundred workers were locked out from Pierce’s, and similar numbers from two other foundries in the town. The strike lasted six months.

Hidden History: The guide to preserving your family archive>
Pictures: 100 years ago, the Dublin Lockout began>

Source                                                                                

United Kingdom one hundred years ago

Group picture of Edward VII, Queen Alexandra and family at Sandringham. Seated, Mary, Duchess of York, with Prince Edward of York (later Duke of Windsor), Queen Alexandra (with Prince Henry, later Duke of Gloucester) and King Edward VII. The Duke of York, later King George V, is standing behind his mother and wife.
Source    http://www.newyorksocialdiary.com/node/18933http://www.newyorksocialdiary.com/node/18933

100 Years Ago Today Los Angeles Firefighters Battled the Famous Brennan Hotel Fire

100 Years Ago Today Los Angeles Firefighters Battled the Famous Brennan Hotel Fire

Thursday, January 24, 2013 |
We would like to share a story with you that turns 100 years-old today. Not just any story. A story that is one of the most talked about fires in the history of the Los Angeles Fire Department.



A fire so vicious it injured 30 rugged firemen, burying five, and nearly cost the Chief of the Department his life. A fire where chorus girls in makeup rewarded exhausted firemen with kisses as they exited the smoke-filled building. A fire where likely more pictures were taken than any other fire in the horse drawn era (1877-1921). A fire so fierce it inspired the instant making of a movie. A fire where the Los Angeles Mayor actually pulled hose-line, and thousands of spectators powerlessly watched wide eyed.

This is a story like no other, and just when everyone thought the flames were out...

Los Angeles Examiner
January 24, 1913

Fed by paints, oils and wallpaper of the stock of the Los Angeles Wallpaper and Paint Company, at 529 South Main street, a fire, discovered shortly before 2 o'clock yesterday afternoon, swept from top to bottom of the five-story building with the fierceness of flames in a furnace, inflicting a loss of about $100,000 and furnishing a thrilling spectacle to many thousands of persons during the stubborn fight which lasted till nightfall before the firemen had conquered. The fire started in the rear part of the ground floor of the paint company's store, but the cause of it is not known. As soon as Chief Eley arrived he saw the seriousness of the menace and a second and a third alarm followed in rapid succession, until all of the fire companies of the central portion of the city were massed in the struggle to keep the flames within the four walls and save what could be saved from the burning building.

Fire Chief Eley, but lately risen from a sick bed, led his men with persistent courage, forcing his way again and again into the gas-choked basement and the first floor, until a final venture into the death tap almost cost him his life.

An explosion of turpentine casks had thrown a group of firemen out through a basement entrance and had covered another group with a mass of wallpaper from shattered shelving. Immediately following the rescue of these men, just before 5 o'clock, Chief Eley, who had already fainted twice from exertion and exposure to choking fumes, made his way from the rear alley forward through the basement, determined to learn personally if there were other stocks of explosive oils that would endanger the lives of his firemen. 
Presently the absence of the chief was noticed, and a dozen firemen began a frantic search for him.

Firemen J. Reyes of Engine Company No.5 came upon the chief, lying unconscious on the basement floor about 35 feet from the Main street front.

Reyes picked Chief Eley up in his arms and carried him to the front and up a ladder through the sidewalk door. Eley was hurried to the Hospital of the Good Samaritan, unconscious and in a serious condition. He was treated with oxygen, and after an hour recovered consciousness. Late last night he was reported by the physicians in charge to be resting easy and in no danger.

(J. Reyes, now fifty years later as Capt. Reyes, L.A.F.D. retired, states that Chief Eley tripped and fell through an open shipping hatch into nine feet of hot water and turpentine in the basement. Reyes, assigned to Engine Co.5, left his company and entered the hot water and rescued the chief swimming to the hatch opening where Eley was lifted out of the water with a pike pole. Reyes himself became extremely ill from inhaling the turpentine fumes and the hot water he swallowed making the rescue. However, he was not taken to the hospital or listed among those treated. According to Capt. Reyes, as he recalls the incident, Assistant Chief O'Donnell threatened to dismiss Reyes for leaving his company, but Capt. Stephen Queirolo, a natural leader during those early days, threatened to leave the job if Reyes was penalized for his bravery so the matter was dropped. Reyes received no recognition for his act.)

FALSE REPORT CAUSES GLOOM

Shortly after the chief was taken away in the ambulance the word spread among the firemen that he was dying, and they continued the fight under a pall of sadness in that belief.

The four upper floors of the burned building were occupied by the Hotel Brennan. The lodgers had ample warning, and all had left the lodging house before there was any danger to life.

The value of stock of the paint company is placed at $60,000. It is a total loss.

The furniture of the Brennan was worth about $15,000, and it is almost entirely destroyed by the fire and water.

The building, owned by Gustave Brenner of San Francisco, is estimated to have been worth about $75,000, and half of that is the estimate of loss. None of the walls fell.

Wing's Cafe, a chop suey place, which occupied one of the ground floor rooms adjacent to the paint company, suffered a loss of about $5,000.

PROPERTY WELL INSURED

Insurance of $67,500 was carried on the building. The paint company carried insurance to the amount of $20,000. S.M. Green, proprietor of the Brennan, had $10,000 insurance on his furniture, and the cafe was insured to the amount of $3,000.

From 2 o'clock until after 6 Main street and Fifth and Sixth streets were blocked to traffic. Masses of spectators were packed against the ropes at the street corners, and thousands more watched the fire from the roofs of the Kerkoff, Central, Pacific Electric, Security and other tall buildings in the vicinity.

A portion of the matinee audience at the Burbank theater had reached the house before the streets were closed, and most of them sat through the play, in ignorance of the thrilling scenes in real life that were being enacted just on the other side of the swinging doors.

The Optic theater, next door to the paint store, was filled with an audience watching the moving pictures when the fire was discovered. The manager announced that an accident to the film mechanism compelled a suspension of the entertainment, and the theater was emptied without confusion.

GALLANT FIREMEN KISSED

Rehearsal was on at the Century theater, just north of the burning building. The stage was drenched with water and the rehearsal and evening performance were abandoned. The chorus girls, in their makeup, watched the fire, and, in their enthusiasm over the daring shown by the firemen, rewarded some of them with kisses as they came out of the smoke-filled storerooms for breathing spells.

There were thrilling rescues of women in grave peril, but the women were moving picture actresses and the rescuers were actors with terra cotta complexions and black, cornice-like eyebrows. The "movies" man was on hand within half an hour of the time the fire started, with camera and company, and seizing a time when the ladies in front were not in use, the brave rescuers carried limp women down them, while the cameraman worked his crank and shouted hoarse directions.

So realistic was all this that a policeman was deceived and, rushing forward, seized an apparently unconscious girl from the arms of an actor and was rushing to an ambulance with her when her friends effected a genuine rescue.

THIRTY FIREMAN OVERCOME

Probably in all thirty firemen were overcome temporarily by the gas inside the building. Some of them were revived and returned to their work. Firemen were taken to hospitals for treatment.

A second and then a third alarm brought all the downtown fire apparatus to the scene. Twenty lines of hose poured their streams into the building from Main street, from the alley in the rear and from the roofs of the buildings across the alley.

Four engines, the tower, two hook and ladder trucks and three of four hose wagons were grouped at the Main street front. Two engines were at Sixth and Main, and three at Fifth and Main streets, and three more at the Fifth street mouth of the alley in which there was a cluster of ladder and hose trucks.

The firemen fought against great odds, as the combustible stock of the paint store, in the rear of which the fire started, blazed fiercely in spite of the torrents of water that were poured upon it. The flames swept up an air shaft and spread to every floor of the hotel, and down into the basement, where most of the paints and oils were stored. Embers fell all about the block, but with the competent force and equipment Chief Eley had brought to the contest, there was at no time any real danger of the fire spreading beyond the four walls.

Mayor Alexander was on the scene and occasionally lent a hand at tugging at a line of hose. Later he visited the Receiving Hospital and shook hands with each of the injured firemen, congratulating them on the courage with which they had fought till overcome.

RIVAL POLITICIANS ON SCENE

Meyer Lissner, whose Lissner building abuts on the alley directly opposite the burned building, watched the fire closely. It is a coincidence that Gustave Brenner, owner of the structure that burned, was chairman of the rump Republican State convention, held at the time Lissner as chairman of the Republican State Central committee, was directing the activities of the faction in control.

The most tense period of the fight came at a time when thousands of watchers thought the spectacle was ended. A sullen roar came from the basement, the muffled report of an explosion, presumably of turpentine casks.

Lieutenant J. Smith, R. Conklin and Ed Welte of Engine Company No.24 were entering the basement and they were hurled back to the street by the force of the explosion.

On the ground floor a group of firemen were working desperately when an avalanche of wall-paper, jarred from shelves by the explosion, came tumbling down upon them.

FIVE BURIED UNDER DEBRIS

Captain C.F. Blackwell, Howard Dyer and Roy King of Hose Company 23, William Shiller of Engine Company No.7, and J.F. Corneaugh of Truck Company 1 were buried under the debris and were immediately in danger of suffocation, their situation being all the more critical because the room was thick with smoke and gases.

A score of their comrades rushed in and dug frantically till all of them were rescued and carried out, to be hurried away to the Receiving Hospital.

Following the rescue of Chief Eley, Assistant Fire Chief O'Donnell took charge of the fight and remained on duty till all further danger had passed.

A.W. Dominguez, captain of Engine Company 14, was enjoying a day off when the alarms sounded. He made all speed to the fire and worked with his men all through the afternoon.

John B. Conlon, who recently retired as battalion chief of fireboats of the New York fire department after thirty years of service, was an interested spectator.

H.W. Broughton is president and H.C. Grupe is secretary-treasurer of the Los Angeles Wallpaper and Paint Company, which, after Brenner, is the heaviest loser in the fire.

HORSE TAKEN THROUGH FIRE

A horse hitched to a delivery wagon stood in the alley when the fire lines were closed and rather than try to get him out through the dense crowds he was unhitched and taken out to Spring street through a liquor store.

Many of the lodgers in the Hotel Brennan saved some of their effects. Motormem and conductors in uniform, a large number of who roomed there, went into the building long after it had been deserted by its dwellers and came out with grips, suitcases and trunks, drenched but happy in the rescue of their possessions...

Here is a list of the most seriously injured firemen working at this fire. There were 30 firemen in all requiring treatment by those listed were as follows:
  • Chief A.J. ELEY--Overcome by smoke and fumes: in Columbia Hospital; condition serious, but not fatal.
  • CHESTER HOPKINS--Operator for Assistant Chief O'Donnell, overcome by smoke.
  • HOWARD DYER--Engine Co.23, slight cut on head.
  • R.W. KING--Hose No.23, overcome by smoke.
  • W.SHILLER--Engine Co.7, overcome by smoke.
  • C.F. BLACKWELL--Engine Co.23, overcome by smoke.
  • M.R. KLINE--Engine Co.3, cut on foot by glass.
  • H.H. RHOADES--Truck No.6, hand cut by glass.
  • HARRY COONEY--Hose No.6, overcome by smoke.
  • R.G. SCHUTE--Engine Co.24, overcome by smoke.
  • J.F. CORNEAUGH--Truck No.1, contusion of back and overcome by smoke.
  • LEONARD GRIFFIN--Engine Co.3, inflamed eye and overcome by smoke.

This is but one story of a Fire Department drenched in rich history, centered around bravery. May it remind us of the daily courageous acts of firefighters world wide and the countless stories gone untold.


(PHOTOS)

Researched by Fred S. Allen & Frank Borden
Edited & Submitted by Erik Scott, Spokesman
Los Angeles Fire Department